Tradition × Modernity

My first encounter with "native jewelry" was when a friend showed me Karen silver beads when I was young.

They were slightly distorted silver beads, small and filed to a point, with what appeared to be vigorous hammer stamps.
I remember finding their imperfection somewhat endearing.



Since then, I haven't had the chance to delve into what is called "native jewelry," but after discovering WAKAN's jewelry, I became interested in learning more about its background.


I consulted with designer SOU, and he kindly lent me some materials,
so my staff and I are gradually learning about it.






Through WAKAN's jewelry,
I had a simple question in my mind: why is a necklace a "chest ornament" and not a "neck ornament"?
It turns out it was because it was an adornment to light a fire in the heart when going into battle.

Perhaps I've glimpsed a little of the meaning behind adorning the chest.







The Hopi chain consists of connected links, like flattened ribbons rolled into rings.
On these, a sharp, Western-style engraving of an arabesque pattern is deliberately overlaid.

The sophisticated contrast and comfortable tension created by layering modern interpretations onto traditional techniques
might be unique to WAKAN.


When you hold it, you can truly feel this background in its weight and texture.




Although my understanding is still fragmented,
I would be delighted if you could wear this jewelry along with its background.




WAKAN SILVER SMITH

Tradition × Modernity

Inspired by native jewelry,
with the concept of Tradition × Modernity, while adhering to their traditional and
analog handmade techniques, we aim to create a new form of Jewelry
that is not bound by conventional ideas.

It is a jewelry brand where each piece is handcrafted.


Click here for the brand page ↓
https://www.p-chouli.jp/collections/wakan-silver-smith